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This can result in a less-than-optimal edge, or even possible melting.

Occasionally you may run into an issue where the laser is going over your cutting/engraving lines multiple times. If you have any pixel-based images that you’d like to add to your file, just make sure those images are converted to greyscale and have a high contrast! Contrast can be adjusted in Photoshop and imported into Illustrator. This will help APL staff in understanding exactly what you’re looking to create. This fill must be set to greyscale, with full black being the deepest engraving (full white being no engraving at all).įor legibility, it is recommended that you follow industry standard color guidelines for your laser cutting file. This will allow the cutter to interpret these lines as paths for the laser to follow.For any raster engravings, the shape must have a fill. When preparing files for laser cutting, there are some machine-specific and industry standard constraints.For any vector lines or shapes, the stroke width must be set to. Setting correct stroke width, color, and fill It’s recommended to spend some time with these tools to prepare yourself for future creative projects.ģ. The most common tools that you’ll likely use in Illustrator are the Shape tools, Line tool, and Text tool.These tools can be easily accessed via the sidebar. It’s useful to make the dimensions match the dimensions of the physical material that you’ll be cutting/engraving. Start by opening the program and creating a new document (File > New).

Launching Adobe Illustrator and Creating a New Canvas

Here’s a helpful guide to get you started with Adobe Illustrator and laser cutting! The laser cutter is located in the Advanced Production Lab, Room A212.ġ.